Street Food Chef

More often than not, my Ricoh GR10 is loaded with Fujifilm Neopan 400, one of my favorite film stocks. Sadly, sourcing this stock is becoming harder with each passing month.

The rest of the shots on the Travelomo Facebook page



While I do love shooting with film, I’ve no qualms about shooting with my mobile phone. Spotted this awesome tag on a boulder in Virac, Catanduanes in the Philippines.

Canoe Dig It?

Fujifilm Natura 1600 film is a specialty film stock best used in low light, but it can handle beach lighting situations as long as your camera can compensate. The grain in the photo doesn’t work with the subject and scene. This shot would have been better with something ASA 100 or 200.

Here’s a tip for all us forgetful folks:  Write down the film stock you’re using on a strip of masking tape and stick that on the back of your camera. 

Shot with a Ricoh GR1 point and shoot.

I’m in Baguio right now, the summer capital of the Philippines. The weather’s great up here in the mountains, crisp, cool, autumn collection weather. I’m armed with three film cameras, an Olympus 35UC, a Ricoh R1 and a Nishika N9000 lenticular.

Film, however, isn’t a medium for instant gratification. For that, I’ve got Instagram. Here are a few of my shots.


Lone Cafe Customer


Want pot?


Casa Corridor


Film Purchase


Camera at Camp John Hay


Chef's Table


Waiting for the rain to stop

Lomography's Color x Tungsten 64

So a couple of weeks ago, I was able to pick up several rolls of Lomography’s Tungsten 64 slide film at the Lomography store in Seoul. While I’d shot slide before, this would be my first time to shoot using film that wasn’t daylight balanced. As the name suggests, Tungsten 64 is film with chemistry that compensates for the yellowish cast of tungsten light. If you’ve played around with a digital camera’s white balance settings, you probably know what this means.

I didn’t really have specific test shots in mind to showcase the quirks of the film under daylight of fluorescent light. I was on vacation, after all, so I just took my normal holiday shots, using a Fujifilm Silvi f/2.8 point-and-shoot.

Flash forward a week. I was back in Manila, waiting for my roll to come back from the lab. The technician hands me the envelope. I open it excitedly and see that the negatives have a green hue to them. Cool. Then I look at the index print: it’s all green, too! I’m thinking, there must be something wrong (but wonderfully wrong) because I expected the shots to come out with a pink hue. Turns out this was the first time the lab had ever come across tungsten film (in a few years at least), and the technicians didn’t know what to make of it. They scanned the negatives as a positive, giving the shots that cool radioactive green glow.

It wasn’t a problem at all. A simple color invert using Photoshop and I’d have the shots as they should have come out, all pinky and rose. That green glow kept nagging my senses, though, and I couldn’t let it go. I just had to use those original scans.

The solution was, to create diptychs that displayed both negative and positive, side by side, to show contrast and to make some clever statements. I know this might be anathema to many film buffs who disdain Photoshop, but I’ve always been a Machiavellian the-end-justifies-the-means kinda guy. If you can do all sorts of old school tricks in a traditional wet darkroom, then you should also be allowed some manipulation using a digital workspace. Just don’t go crazy HDR overboard, ya know what I’m saying?

So, here are the results. Let me know what you think.

Between Two Buses, Between Two Worlds

Crossing Over Dimensions

North Korea, South Korea

This Corner of the Universe

Travelomo omolevarT

Galaxy Express Bus

Travelers of the Multiverse

Bumping into Yourself


So last week I was in China, my wife and I piggybacking on the company trip of the Gallardo & Associates ad agency. Four days in Beijing was the perfect break from this October’s killer schedule at work, and even though most of the time we found ourselves at the mandatory tourist sights, it was still a blast. When traveling with crazy creative people there are hardly any dull moments; even on long boring bus rides you can still find something to do, like taking advantage of people sleeping.

That was shot on the second day, on the road to the Great Wall of China. Here are some photos, taken with a vintage Olympus 35UC rangefinder with Lucky 200 color film:

More photos on my Flickr set Barbarians at the Great Wall.

After five weeks in the United States of America, traveling from West Coast to Midwest to East Coast and back to California, enjoying the cold spring weather, I am finally back in sunny, sweltering, seething Manila. We did the whole John Candy – Steve Martin bit, riding Planes, Trains and Automobiles plus a few bus rides thrown in for effect. While I wasn’t able to find and purchase that Stereo Realist camera I’d been pining for (and still do), I was able to pick up three new toys for my camera bag.

Nishika N8000 and N9000

Both cameras are 4-lens lenticular 3D cameras from the Eighties. The N9000 is the newer model. It’s more compact and only has two aperture settings, cloudy and sunny. As far as I can tell it doesn’t really provide any metering and is more the toy of the two. The N8000 has a heftier bulkier build, comes with an additional flash aperture setting, and has a built-in albeit primitive exposure alert. Yes, this is my second N8000, but the first one I had I received in pretty bad shape. Time for that one to retire after a year of faithful service (having shot Lady Gaga, Charley Boorman, Marie Digby and a bunch of local celebs).

Kodak Playsport

The third toy I picked up is the recently-released Kodak Playsport, a compact HD video camera with 5MP still photo capability. It’s Kodak’s answer to the Flip MINO HD, but uses SD cards instead of built-in storage. It can shoot in WVGA, 720p (30/60fps) and 1080p. While the video won’t ever compare with even the lowest-end Sony HD Handycam, it’s still a very useful tool to have when you want to capture more than just still shots. What’s more, it’s waterproof up to 3 meters. I liked this so much I bought three more of these haha! One for my dad, and two bought for friends. At only USD150 (and cheaper if you buy through Amazon), these things are a steal. Just remember to buy extra batteries because the included batteries are shit.

It’ll be a while before I manage to sort out the 36 or 38 rolls of 110 and 135 film I shot during the trip and over 35GB worth of digital photos, so, in the meantime, here’s something I shot using the Playsport.