For the folks who received cameras last Christmas, welcome to the fold! It’s a wonderful hobby, this photography thing, whether you shoot digital or film, have the most advanced of gear or the  simplest of cameras, are in it to express your creative longings or are in it because it’s the in thing to do.

You’ve probably already shot the hell out of your new toy. Are you pleased with the results? If this is the very first time you’ve used a camera, a film one at that, you may be wondering: where are all the awesome shots I was expecting? Where are the crazy colors? What happened to the vignettes? Why’s it too dark? Why’s it too light? Why’s it all black? This is, of course, if you’re honest. Many new photographers like to convince themselves that their photos are award-worthy, even though they’re just photos of random clouds.

We all want to be better photographers, and the first step towards becoming one is admitting there’s a lot to learn. That means you. That means me. Photography requires us to understand some things, the basics, before we move on to the meatier stuff. To help everyone along, especially the beginners, I’ve decided to embark on a series of articles on the fundamentals of photography. Rather than go all technical, I’ll be focusing more on the basic principles of the art and craft.

I’m not a professional photographer, just an avid amateur, so this serves as a refresher course for me as well. I don’t live and breathe photography the way folks like Scott Kelby or Kevin Meredith do, so a return to beginnings can only serve to deepen my own understanding of this hobby.

We’ll tackle topics like exposure, shutter speed and aperture. ISO/ASA as well. Basic composition and framing, depth of field, panning, the Sunny 16 Rule of course. If I can find guest bloggers, that’d be great, a breath of fresh air to be sure. All that and more. But, I am asking for your forgiveness in advance. I can only write these when I find the time. Some weeks, it’ll come fast and frequent. Other times, it’ll be an agonizing drip-feed. Gotta prioritize writing that puts food on the table, heh.

Well, that serves as our introduction to the course. Now let me go and prepare the first lesson. Cheers.

 

LomoManila's LoFi #3

LomoManila's LoFi #3

The Philippines has a much more active Lomo community than one would expect for a developing country, and one reason why this is so is because of the efforts of Lomomanila to popularize the art.

Lomomanila started out in 2003 as a mailing list of Lomo enthusiasts and has grown by leaps and bounds in membership and activity in the six years it’s been around. They organize contests and exhibits, take photowalks, trade gear and film, share information and technique, and party like there’s no tomorrow.

They also come out with a semi-regular online magazine called LoFi.  

Here is the cover of LoFi #3, which came out last year. It’s a special on sensual lomography, and features some well-crafted ethereal photos and interesting essays. There’s a bit of nudity so you might want to view this when your boss isn’t hovering about. For mature audiences. It’s available for download as a pdf, but you’ll have to sign up on Lomomanila.ph first.  Once in, you can go to this page to find the download:  http://tinyurl.com/bekszp

Another issue, LoFi #2, is available for public consumption at http://lomomanila.ph/lofi2.html

Issue #5 is in the works.  I’ll let you know when it’s in the can.

 

So, I took the Demekin out for a spin last week, taking photos of the office compound and nearby Eastwood City mall. Here’s what I learned:

 

1. The Demekin needs a lot, and I do mean A LOT, of light for it to take a decent shot. Bright day, strong, direct sun.
2. The fisheye lens means I have to get closer to my subjects.
3. Don’t wind the film until you are ready to shoot. The shutter button is unprotected and easy to press accidentally.
4. Stand still while shooting. No drive by snapshots. The shutter is relatively slow.
5. People like the Demekin and will invariably ask you about it. Be prepared for a short chat.

 

Here are some of my test shots:
shadowy

shadowy

 

crosswalk low

crosswalk low

 

total bunting

total bunting

 

fountain fisheye

fountain fisheye

 

forklift forking

forklift forking

 

More photos are posted on my multiply account: here.  Do let me know what you think. Cheerios! 

On my recent trip to Hong Kong, I was faced with a difficult purchasing choice: to get a Superheadz Demekin (see previous entry) or a Superheadz Golden Half.  The Golden Half is an interesting little thing, so named because it shoots 35mm film but at half frame, meaning for a 36 shot roll you get 72. It’s got two aperture settings, f/8 and f/11 as well as a hotshoe for fun strobist action.  While I may have bought the Demekin, the Golden Half remains on my must-have camera list. 

 This means that my favorite pop culture girl has one up on me.  Genie Ranada is no stranger to gadgets. She is the lifestyle editor for the tech magazine T3 and is one of the few people I know who’ve been featured on Boingboing.net (no I am not saying why or what for).  She has BOTH a Demekin and a Golden Half. She takes great pictures, to boot! Here are some of her Golden Half shots, all taken during the Dec 08 holidays in Laoag, Ilocos Norte in the Philippines. Fuji Provia 100F slide film was used and cross-processed. Enjoy!

 

angelchurch

angelchurch

 

bluebeetle

bluebeetle

 

cemeteryblues

cemeteryblues

 

cloud9

cloud9

 

cross+cherubs

cross+cherubs

 

texicano

texicano

 

If you want to see more of Genie’s Golden Half photographs, do visit her multiply site

 

Oh, and this is what the Superheadz Golden Half looks like. If you want one of your own, Oh Shoot! sells them, too. 

Superheadz Golden Half
Superheadz Golden Half
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Autumn in Reposo @Canonet Junior

There seems to be no stopping the march of digital camera stormtroopers in their quest for world photo domination. Everyone and his mother has a digital camera of some sort, to be whipped out at the smallest excuse for a photo op. Despite this, however, there remains a glimmer of analog hope, an old-school antithesis to the ones and zeroes that digital photography offers: film cameras. Contrary to popular belief, film is certainly not dead. While it continues to thrive among professionals and hobbyists, whose passion for film rivals that of pro-sport fans, film has found a popular resurgence of sorts among folks who want to shrug off the snobbery of Photography (with a capital P) without succumbing to the beep-beeping siren call of digital. I refer to the allure of toy cameras, Lomos, Holgas, Horizons, pinhole cameras, vintage TLRs, instamatics and other film cameras.  

Photos shot on film  in general, and shot with toy cameras in particular, are imbued with a certain mystique, an atmospheric quality that digital seems to have difficulty in producing. Part of it is the grain of the film, part of it is the unpredictable nature of these cheap cameras with the film stock – light leaks, soft focus, etc. Maybe it’s the aged patina that film shots have that distinguish them from those off a digital camera.  Maybe it’s the imperfections that are so painfully obvious on film shot on toy cameras that contrast greatly with the crisp sharpness of a DSLR. Whatever floats your boat. 

Here, then is my tribute to travel photos shot on such cameras. I’ll be posting mine and accepting submissions from readers as well. Let’s begin!

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