By the way, in case you’ve been wondering why I haven’t been updating as promised, I’ve been busy on other things, namely:

  • the day job
  • a new magazine project
  • yet another new magazine project
  • my new photography blog

Street Lamp from StereoManila

The new blog is called This is StereoManila, which you can access via the link or, if you’re so inclined, via http://www.stereomanila.com, whatever floats your boat. This is where I’ll be placing all my 3D stereo photographs, which will mostly be shot in digital using the Loreo lens I bought a while back. If you’re into 3D photography and stereoviews, then do follow the blog via Tumblr.

Aside from stereo cards and stereo pairs in books, Brian May’s OWL stereoscope may also be used to view the growing number of 3D videos popping up on YouTube. Watching Wile E. Coyote getting the crap beat out of him by cruel karmic fate is hella fun when it feels like you’re in the video.

For those who don’t have a stereoscope, YouTube provides other 3D viewing options: red-cyan, green-magenta or blue-yellow glasses, interleaved rows, columns or checkerboard, monitor, or (of which I am biased for) stereo pair. No compatibility for the polarized glasses you’ve swiped from the cinema.

I’ve been watching these videos on the YouTube app for iPad, which presents the videos at a more-or-less correct fit for the OWL. Going full-screen is not an option. Now while side-by-side stereo pair viewing does reduce the aspect ratio from widescreen to something close to 4:3, it maintains the true color of the video. When you’re watching a Looney Tunes clip, true color makes all the difference.

If you’re interested in ordering a stereo viewer, you can order an OWL from the London Stereoscopic Company. Alternatively, you could either learn to freeview stereo pairs or construct your own viewer, here and here.

Watching 3D videos with the OWL Stereoscope

 


There are certain books which you just have to have. For some, this could be a dog-eared and doodled-upon copy of Dr. Seuss’ Green Eggs and Ham or a neon-highlighted family Bible or (barf) a hardbound special limited edition of Twilight.

For enthusiasts of 3D or stereo photography – and I count myself among that ilk – there is A Village Lost and Found, written by Brian May and Elena Vidal. Describing itself as “An annotated tour of the 1850s series of stereoscopic photographs ‘Scenes in our Village’ by T.R. Williams,” the book is exactly what it says it is. A collection of stereo images from the dawn of photography is presented here, painstakingly curated and dissected by May and Vidal in a lavish 240 page volume. (more…)

So last Sunday I took a walk around the Tahanan Village park to test the Loreo 3D lens. It was a pleasant late afternoon, a bit of a nip in the air with the sun already low in the sky.

The usual groups of parkgoers were there, the Korean football players, the ultimate frisbee fanatics, the dog walkers and the au pairs with their wards, lots of different folks, doing the many different things you can do in a park.

Here are a few shots in both anaglyph and stereo pair formats. To view the anaglyphs in 3D, you will, of course, need red-cyan 3D glasses. For the stereo pairs, you will need a special viewer, or, you can try to free-view them, a la Magic Eye posters.

Handstand

Handstand Anaglyph

Headstand / Handstand

Headstand / Handstand Anaglyph

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As promised, here are the photos from my Loreo 3D Lens in a Cap unboxing. Descriptions to accompany the photos.

A clean white box, nondescript. but packed inside with stereo goodness. The lens comes with a pair of lens caps and a carrying pouch.

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It must have been 2002 or 2003 when I first tried my hand at stereo photography, using a simple point-and-shoot digital, shooting at left eye:right eye positions then compositing into a stereo pair or anaglyph. I forget now what software I used, a free download for a Mac, but I do remember that first shot: the Summit Publishing office at the basement of the Robinson’s Galleria mall in Ortigas, where I used to work.

Since then, it’s been a love affair with 3D photography, well before the Hollywood hype machine started hailing 3D as the future of cinema, before Fujifilm and Sony started developing 3D digicams and before consumer 3D monitors were commercially available. In the last two years my main gear have been my twin Nishikas, but years before I found those I had already noticed a small manufacturer from Hong Kong called Loreo.

Loreo had made a reputation for itself in its line of xxx-in-a-cap lenses, lo-fi plastic lenses that were inexpensive yet interesting. Among these was the Loreo 3D Lens in a Cap, this strange looking plastic gadget with two rectangular portals with mirrors as its eyes. Essentially a beam splitter, this lens would take stereo pair photos just as your eyes would, left side – right side.

I managed to inspect one during a trip to Hong Kong but wasn’t particularly impressed with it. The build quality seemed a bit too Holga for the price, so despite wanting a 3D lens badly, I decided to pass. I found out soon enough from the Loreo website that a new and improved version of the lens would come out, so I made up my mind to just wait a while.

The wait took about a year, due to manufacturing delays, then the unavailabilty of spare funds (damn you, my vintage Olympus PENs!). Finally, things fell into place. Funds were available and my in-laws were in Hong Kong. After a short email exchange and a Paypal payment, my lens was on its way via courier to the Park Lane Hotel. A day later, my in-laws were back from their vacation and I had my lens, the superior Loreo 3D Lens in a Cap model number 9005A.

A mighty shout out to Andrew Wu of Loreo who facilitated the quick delivery of the lens and kept in constant communication throughout my buying process. Thanks, too, to Connie Pong for seeing that the delivery was made.

I, in the meantime, will be enjoying my new lens. My friends and I have dubbed it Wall-E, which is apropos because a) it kinda looks like the Pixar character, and b) if you stare at a stereogram wall-eyed your brain will register it as 3D even without the viewer.

Among the cameras I brought to Beijing was a Nishika N9000, one of two 3D lenticular toy cameras I currently own. For the most part, the Nishika stayed in the hotel room as I opted to take only two cameras (out of five) at a time during our daily forays, and I had a hard time giving up my Oly rangefinder and PEN S. For our trip up the Great Wallof China, however, the Nishika was a definite must.

Like the Nishika N8000, the N9000 takes four half frame photographs simultaneously. You can take those frames and  process them in Photoshop and Stereophotomaker to produce 3D photos, either anaglyph or stereo pair. I managed to find time today in the middle of my workday to process a couple. It took me a while because I haven’t done this in so long, I kind of forgot my workflow. For shame.

Anyway, here’s a couple of shots in both anaglyph and stereo pair. I’ll add more as I process them.  Still have several rolls of film to go through, so expect a few more chapters from this Beijing trip.

Here’s some shots that are a bit overdue for posting, taken last April in New York City with my Nishika N9000 3D lenticular camera.

I like that, with 3D anaglyphs, I can float my Travelomo.com text within the photo’s depths. I’m also loving Kodak’s BW400CN film, though I’ve been told by the local Kodak rep that this has been phased out recently. I only know of one store that still has stocks – pricey, but methinks I shall buy whatever’s on their shelf. Good thing Ilford has a substitute in its XP2 Super.

Last week a reader dropped me an email asking how I create “wiggle 3D” animations from my lenticular camera photos. He’d recently bought a Nishika N8000 package complete with flash, case and Vincent Price video and was eager to try his hand at it. Here, then, for all you Nishika users out there, is my workflow.

Step One: Create Individual Frames

The Nishika N8000 produces four frames simultaneously, each one slightly different from the others due to how its four lenses are angled. I usually get my scans back from the developer like this:

After post-processing (which I won’t go into), select and copy each of the four frames and save them as separate images. Just save them as jpg as these will be for Web use. Organize them into proper folders so you don’t clutter up your directories.


Step Two: Stack Frames

From the FILE menu, select SCRIPTS, then LOAD FILES INTO STACK. This opens your four frames as layers in a single image file. Make sure not to select “Attempt to Automatically Align Source Images.” We’ll be doing that manually in the next step.


Step Three: Align Images

Once the image opens, make sure your stacked layers are in the proper order. Select an anchor point from which to align each layer. I usually choose the subject’s eye or face. Play with the Opacity of each layer to make sure your alignment is correct.


Step Four: Crop Your Image

During the alignment process, you will invariably create gaps at the edges of your image. Make sure to crop your image accordingly.


Step Five: Animate Your Layers

Once your layers are aligned, open up the animation panel from your WINDOW menu. Click on the small pull down menu on the upper right of the animation panel and select “Make Frames from Layers.” This will create a four-frame animation 1-2-3-4. For smoother looping, copy frames 2 and 3 and paste into your timeline in this order: 1-2-3-4-3-2.


Step Six: Save for Web

From the FILE menu, select “Save for Web & Devices,” which allows you to save your image as an animated GIF. You may adjust the size and quality of your image before saving if you wish.

Here’s the finished product.

Rally in 3D @ Nishika N8000

Aquino Funeral Cortege Stereo Pair

I promised some of my readers that I’d post a 3D shot of the Aquino funeral cortege minus the epilepsy-inducing animation. So, I’ve prepared two versions of my favorite shot. The first (above this paragraph) is a stereo pair, which you can view using the cross-eyed technique or, if you print it out, with a stereo pair viewer. The second is a red-cyan anaglyph which you can view in 3D if you wear them funky 3D glasses.

Aquino Funeral Cortege Anaglyph

I actually prefer these two methods of rendering 2D photos into 3D over my sleight-of-eye animated shots. Using the proper gear or technique, your brain actually sees the image in stereo, just like you’d see in real life (if you have the use of both your eyes, that is).

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